Expect this blog posting to be regularly updated throughout this weekend to account for any later announcements made by American distributors throughout the weekend at Anime Expo. Outside of licensing announcements, I will also add in details on other announcements made by distributors during their industry panels:
Viz plans to release the series to DVD and Blu-Ray sometime later this year, included with additional OVA episodes.
Main Voice Cast
Supporting Voice Cast
Viz is planning to release the first BD/ DVD boxset of the series on November 11; with the Special Edition set including six discs, a chipboard box with space for the second part BD/ DVD set and an 88-page booklet containing artwork, character profiles and episode guides. Extras on the discs will include an interactive art gallery, behind-the-scenes voice recording, announcement panel and fan reactions, sizzle trailer, creditless opening and closing sequences and other trailers. Pre-ordering the Special Edition boxset through Rightstuf will get fans a collectible coin while supplies last.
This is some pretty big news if you're a fan of the Sailor Moon anime franchise. At Anime Central just today, Viz Media announced that they have acquired licensing rights to all TV seasons, specials and movies to Sailor Moon. This licensing snag includes the fifth season of the franchise never released in America called Sailor Stars and the upcoming Sailor Moon Crystal series that will premiere in Japan on July 5. The older titles of the franchise will be released entirely unedited, include a new English dub and will be streamed in subbed format via Viz's Neon Alley service on Hulu starting Monday with its first four episodes and adding on two additional ones for each Monday afterward. Viz plans to start releasing box sets of the older seasons in the series sometime late in the year, while they will announce more details on their release plans with Sailor Moon Crystal in the future. In celebration of the acquisition, Viz plans to hold a "Sailor Moon Day" event at Anime Expo on July 5 (the day of Sailor Moon Crystal's premiere) to host panels with the new dub staff and crew, as well as try attracting a large number of Sailor Moon cosplayers.
The Sailor Moon anime franchise is a long-popular mahou shoujo series based on Naoko Takeuchi's manga series of the same name that debuted in February 1992. The anime focuses on Usagi Tsukino and several middle school girls around her age gaining magical powers based on the moon and planets to battle the forces of evil. The first season and part of the second series, Sailor Moon R, was first brought to America in an edited format for syndication in the mid-1990s by DIC Entertainment and later brought onto Cartoon Network's Toonami block. DIC's English dub was infamous for Americanizing the names of the characters, altering or cutting out plot points and editing or removing content considered objectionable to a young American audience. The later two seasons, Sailor Moon Super S and Sailor Moon Star S, also aired on Toonami which were more faithful to the Japanese script, yet altered several plot points which notably included Sailor Uranus and Sailor Neptune being cousins instead of lesbian lovers. The first four seasons of the series were originally released to video in the 2000s in unedited formats by ADV Films and Geneon, with the former having rights to the first season and R while the latter had rights to Super S and Star S.
Here is a video of Viz's announcement regarding their acquisition of the Sailor Moon franchise...
Dracula: Sovereign of the Damned was a 94-minute TV special that originally aired on Japanese TV on August 19, 1980. The TV special was adapted from Marvel Comics' “Tomb of Dracula” comic book series and was part of a business dealing between Toei and Marvel in the late 1970s where the former gained the rights to make several animated and live-action spins on Marvel Comics characters. The TV special was released on VHS in America in 1983 through Vestron Video and was dubbed by Harmony Gold, whom some older anime fans may know as the company who dubbed the popular 1980s animated mecha series Robotech. The VHS release for Dracula has been long out of print with the tape being very difficult to obtain through legal means.
During a ritual by a Satanic cult to summon the devil, the vampire Dracula steals away their sacrifice in the form of a young woman named Dolores and makes her his wife. Wanting to live his life peacefully with his bride and their child Janus, Dracula finds himself hunted by vampire hunters seeking revenge on him and members of the Satanic cult wanting him killed as punishment for deceiving them in taking Dolores.
Dracula: Sovereign of the Dracula appears to be an attempt at compressing the events of its source material into a 90-minute film, resulting in really sloppy storytelling and rushed pacing of its events.
The major element of the film that was rather confusing was how the title attempted to depict Dracula. Sovereign of the Damned tries making efforts at depicting him as a tragic figure who wanted to live happily with his family, wanted to be left alone and experience life as a mortal man. Yet at the same time, he had no qualms with sucking on the blood of humans or killing others who threaten him and he tries regaining his immortality later in the film when he loses his vampire power.
Other sloppy elements to the film have to do with the implementation of its storytelling. The title's logic with elements to its world get messy, deus ex machina is employed quite often, questionable plot directions take place, certain characters who seem relevant in the film are actually mostly worthless, plot twists occur without any prior foreshadowing and an anti-climactic ending takes place with Dracula's fate. Adding more to this fun mess is that Toei attempts rendering a Western animation style with its character designs, yet this makes them appear more stiff and lifeless in appearance compared to conventional anime designs of the time period.
The English dub for Sovereign of the Damned is also a nice example of the rather low standards of anime voice acting in many 1980s dubs with two different types of acting from the voice cast: either bored and flat acting or over-the-top in an attempt at being dramatic, such as the case with Dracula's dub actor in many of the film's moments. Scenes in the film are also usually accompanied by a narrator who acts just as over-the-top as Dracula in attempting to give Sovereign of the Damned's events any sort of meaning or emotion.
Suffice to say, this is a rather underwhelming way to go out on as this last title I'm covering isn't really as much of a dud as I've heard of it to be, even with my indifference on it. I don't feel like going out on this forgettable kind of note. So next weekend, I will have a better final review covering something I've wanted to cover on Ani-Crap Review for a while now that will make for a better swan song and being a fun way to celebrate my fifth year on Anime Vice. Otherwise for now, I will be tweaking my review format slightly to reflect my thoughts on Dog and Scissors.
Dog and Scissors was a 12-episode comedy TV anime series animated by Gonzo and aired on Japanese TV from July 1 to September 16 of 2013. The series is based on the ongoing light novel series that has been written by Shunsuke Sarai since February 28, 2011. The anime is licensed for American video distribution by Sentai Filmworks.
Kazuhito Harumi is a high school student with a strong love for reading books who is killed while trying to protect a girl at a restaurant. Reincarnated as a dachshund dog, Harumi is adopted by the girl he tried to save in the form of Kirihime Natsuno, a popular novelist whom Harumi is a fan of. Unfortunately, Kirihime turns out to have a rather sadistic personality who lashes out at others with a pair of scissors.
By the looks of it, Dog and Scissors' comedy stems from milking Kazuhito's unique predicament, his chemistry with Kirihime and his encounters with the several eccentric characters that cross paths with him and Kirihime. Kirihime and Kazuhito's chemistry consists of her milking the “tsun tsun” variant of the tsundere character in her abuse of Kazuhito and the latter serving as doormat to the antics of Kirihime and others that he encounters. The antics of these characters unfold either through self-contained episodes or episode arcs running for two to three episodes when Kazuhito encounters a new character.
This looks to be a case where Dog and Scissors is attempting to make itself unique as a comedy, which I will compliment it for as it doesn't fall under any conventional premise that is peppered in recent titles like harem comedies or slice-of-life comedies involving high school girls. Yet at the same time, it suffers from the shortcoming of any pure comedy title in that the title's enjoyment from audiences stems from how receptive one is to the show's style of comedy. This is a case where I'm not really into the show's style of comedy as Kirihime's yet another variant of the tsundere archetype and the comedy of the series mostly relies on the eccentricities of its cast to carry it along. Several of the characters in the series are notable for their violent tendencies with certain weapons and abilities that the show milked for much of its run for comedy, which killed my interest in the comedy as the show progressed when I realized that it was the dominant comedic element of the series and lacked much else to offer.
This isn't to say that Dog and Scissors is a horrible title as it does have a style of comedy that is a little different from the norm. But like any pure comedy title, your mileage will vary with how well you enjoy it.
Recently, My Sister is Unusual (also known as Saikin, Imōto no Yōsu ga Chotto Okashiin Da Ga) was a 12-episode ecchi/ comedy TV series that aired from January 4 to March 22 of this year and animated by Project No. 9. The series is based on the ongoing manga series written by Mari Matsuzawa since November 9, 2010. The series was edited for television broadcast to censor some of its perverted content, which will be unedited for its video release in Japan.
The show faced some controversy in its broadcast run on two Japanese TV stations, Tokyo MX and Sun TV, as it got subject to a broadcast decency investigation from a media watchdog group called Broadcasting Ethics and Program Improvement Organization for its sexually explicit themes airing in an early evening time slot. In response to this, the mentioned networks moved the show to late night time slots.
High school student Mitsuki Kanzaki gains an older stepbrother named Yuya when her mother remarries another divorcee. With both parents transferred overseas, Mitsuki is very distant in her relationship with Yuya due to the sudden developments. Her predicament becomes further complicated when a ghost girl named Hiyori starts possessing her body to try making sexual advances on Yuya and is stuck wearing a chastity belt. For the belt to be permanently removed and to get rid of Hiyori, Mitsuki must fill up a meter attached to the belt that rises whenever she experiences sexual feelings for Yuya.
While I personally feel some of the infamy of this series is overboard, My Sister is Unusual is still rather bad quality wise and much of this has to do with Hiyori's character being the center of much of the perverted content of the series. Her character is rather obnoxious as she regularly lusts for Yuya and will possess an unwilling Mitsuki's body at points to accomplish this.
Most of the show's ecchi content involves Hiyori trying to seduce Yuya while in Mitsuki's body, the ghost girl molesting Mitsuki, predicaments involving Mitsuki's chastity belt or Yuya having misunderstandings about Mitsuki's predicament. The incest vibes that are caused from this title's predicament are mostly triggered by Hiyori's behavior and the show's ecchi content is light in many later episodes, despite the heavy loads that are immediately offered in the title's earlier two episodes.
Beyond the ecchi content, there isn't very much else My Sister is Unusual has to offer. Most of the other characters follow standard character archetypes found in romance titles such as this and for much of the attraction that Yuya gets from Hiyori and other girls, his personality is rather bland. The show has hints of depth it usually drops with Hiyori and Mitsuki that involve their possession and remarriage situations respectively. However, these get little focus due to the title's focus being more on Hiyori being her obnoxious and horny self. The ending to this is especially bad as it trolls the viewer into thinking it ends too conveniently, yet tosses in a poor plot twist that actually leads the series to end inconclusively.