Mouse was a 12-episode adventure/ harem comedy anime aired on Japanese TV from January 5 to March 23 of 2003, with each episode airing for 15 minutes a piece. The anime was animated by Studio Deen and based on the manga series written by Satoru Akahori and illustrated by Hiroshi Itaba for the seinen magazine, Young Animal, from April 28, 2000 to October 29, 2004. A rather interesting fact about Mouse is that the series actually aired on a children’s channel called Kids Station during the time of its broadcast in Japan.
The series is currently licensed in America by Media Blasters under their Anime Works distribution line, with the series still in print by the company.
A young college art teacher named Sorata Muon takes on the secret identity of Mouse, a professional thief whose exploits have been passed down through his family for 400 years. Assisted by his three highly devoted and attractive assistants, Mouse is able to successfully elude capture by authorities and steal whatever valuables he declares he will steal, no matter how secure and protected they are.
The major low point of Mouse comes in the form of the three assistants that assist Sorata with his thefts. Clearly being the selling points of the series, their roles are seemingly only being sluts content to serving Sorata and wishing to have their way with him with their suggestive attires and behavior, as well as the prominent large busts found with Mei and Yayoi. While their sexual advances on Sorata are not frequent in Mouse, the three girls still aren’t too appealing on the eyes thanks to the title’s subpar animation as their details look rather crude and rough
Beyond the assistants, Mouse is focused on a number of storylines throughout its run that involve Sorata’s various thefts, how he met his assistants and crossing paths with an enemy syndicate wishing to kill him and his assistants off for their thievery. While there’s enough substance in the series for some semblance of a plot, all the show’s characters are stuck with whatever character archetype they are tacked on with and don’t do much of anything to grow out of it. The thievery of Mouse and his crew isn’t even too interesting of a plot element to be hooked on as the plans for his thefts are too ridiculous to take seriously, with a couple instances where he literally steals entire buildings.
OniAi (also known as Onii-chan Dakedo Ai sae Areba Kankeinai yo ne!) was a 12-episode ecchi/ harem comedy TV anime series that aired from October 5 to December 21 of last year. It is based on an ongoing light novel series written by Daisuke Suzuki and illustrated by Gekka Uru, which has been published since December 31, 2010. Funimation currently has rights to stream the series online via their streaming site.
After six years of separation, twin siblings Akito and Akiko Himenokoji reunite and live together in the dormitories of Saint Liliana High School. Akiko has developed an incestuous interest in her brother due to their time apart and wishes to act upon those feelings on him. However, she finds this difficult as the siblings share their dormitory with three other girls who each have differing forms of romantic interest in Akito.
OniAi is an ecchi title that milks the typical elements you would find from the genre and harem comedy titles. Our male lead Akito mostly serves as a doormat to the antics that he has to put up with from his unwanted harem, with the girls mostly having stock archetypes for their characters that you would likely see at one point or another from other ecchi or high school themed anime.
While the ecchi behavior in OniAi is not of the gross-out variety, it still can push things quite a bit at points with its content having crass humor, innuendo, suggestive predicaments and fan service shots of the female cast. Outside of the incest element being milked for the title’s ecchi antics with Akiko, things do get a bit uncomfortable in some of OniAi’s later episodes when Alisa’s character becomes part of the household and is milked for some of the title’s ecchi scenes.
Outside of the anime’s failed efforts to milk comedy off the antics of Akito’s unwanted harem, OniAi is mostly a dull affair as there isn’t an ongoing plot to follow and the characters don’t have much in the way of dimension or depth to them beyond whatever archetypes they are following.
I guess I can say Happy Valentine’s Day in light of my “love” for today. I had this planned out for the past month considering I wanted to kill some time since I’ve been in a pit of a rut lately with finding good anime to watch. But does this mean I will return to doing Ani-Crap on a regular basis? I’ll let you folks decide on that. Pepper me on my Wall or with PMs and there’s a chance Ani-Crap may come back from the dead if I get enough support. In the mean time, on with the review.
Mad Bull 34 was a four-episode crime action OVA that was released from December 21, 1990 to August 21, 1992. It was based on a manga series written by Lone Wolf and Cub creator Kazuo Koike and illustrated by Noriyoshi Inoue for the seinen magazine, Weekly Young Jump, from 1986 to 1990. The series was animated by Magic Bus, who outsourced much of the animated work for Mad Bull 34 to be handled by studios in China and Korea.
Mad Bull 34 was released dubbed on VHS in the 1990s by Manga Entertainment, who lost their licensing rights to the series years later. Discotek acquired licensing rights to the series last year and plan to release it on DVD with both the original Japanese audio and Manga Entertainment’s English dub later this month on February 26.
Daizaburo Ban is the newest recruit in the New York Police Force’s toughest precinct, the thirty-fourth. He becomes the partner of John “Sleepy” Estes, a cop with no regard for the rules as he violently dispatches criminals (even for minor crimes) and runs his own prostitution ring. While Daizaburo hates the reckless conduct of his partner, he comes to learn of Sleepy’s good side as the money earned from his prostitution ring is used to benefit a home for victims of rape and battered homes, as well as a clinic curing STDs. The two team up to tackle the crime-infested streets of their precinct.
Mad Bull 34 is rather infamous among anime fans for its graphic content and unflattering depiction of 1980s era New York City.
Criminals killed off throughout the series are all offed in some over-the-top graphic detail as gun shots are shown to blow off limbs and make heads explode. It is also rather misogynist as nearly every woman in the series is either a prostitute or winds up being a victim of rape.
The creators of the OVA also didn’t seem to be well versed in knowing of life in New York City or didn’t seem to care at all. The criminals seen throughout Mad Bull 34 are rather bizarre and over-the-top or strongly stereotypical. Examples of criminals you can expect in the series include a cyborg Mafia boss; two armed robbers decked in Jason masks, tight jean shorts and roller skates; and a gang of Chinese assassins prone to committing kamikaze attacks on their targets.
The show’s efforts to paint Sleepy as some sort of Dirty Harry-esque character are also rather ridiculous. The guy pulls off stuff that Harry Callahan wouldn’t dare to pull in his movies as Sleepy is regularly seen screwing the prostitutes of his ring and commits enough ridiculous acts such as blowing up a gang of Mafia thugs with grenades attached to his pubic hairs and instructing Eddie to comfort a traumatized female victim by literally sticking a finger up her ass. Worst of all, Sleepy never gets any kind of repercussions for his actions as being presented photo evidence of his actions isn’t enough for his seemingly inept superiors to punish him in any way.
Manga’s English dub for Mad Bull 34 is also worth mention for the title’s infamy. Dubbed at the company’s UK branch, the voice actors are quite inconsistent in the delivery of their lines as they go in and out of delivering horrible New Yorker accents and usually get quite deadpan in the speaking of lines. Not to mention that you can expect regular use of graphic language that wasn’t found in the original Japanese version of the series, another instance of Manga trying to make a horrible anime more edgy to Western audiences with regular use of cuss words.
Before I get to this
review, I’ll spill the beans on my major announcement regarding the future of
Ani-Crap. Regrettably, I plan on making this the final article that I plan to
put together for my look into the worst of anime. I’ve recently gotten back to
working again after over a year and a half of unemployment and I found myself
rather drained from the work week, enough so where I felt that I would rather
watch something that has good quality to it than plowing through anything that
is an utter piece of garbage like the stuff I’ve watched through over the past
year. I’ll admit that my Ani-Crap reviews were a nice way for me to kill time
when I was drained from my repetitive daily routines of being around my house
much of the time and become exposed to titles far worst in quality than
anything I would subjectively call overrated. But I don’t think I can keep up
with Ani-Crap if I’m back on a 40-hour work week and would want to relax instead
of torturing myself. Ending on this sad note, here is my final Ani-Crap review
to cover Yosuga no Sora.
Yosuga no Sora was an animated adaptation of the eroge visual novel game created by Sphere and released on December 5, 2008. The anime was animated by studio feel and aired on AT-X in Japan from October 4 to December 20 of 2010.
Fraternal twin siblings Haruka and Sora Kasugano move to the countryside residence of their grandparents following the deaths of their parents from a car accident. Sora is greatly dependent on Haruka for emotional support and personal needs due to being ill and frail since she was born. In this move, Haruka finds himself becoming romantically involved with one of several girls he becomes acquainted with in his return to the countryside.
Yosuga no Sora’s premise is pretty much one big excuse for male lead Haruka to become romantically involved with a different gal in each arc of the show and inevitably screw them once any drama within said arc is resolved.
The series is divided up into several arcs featuring Haruka’s romantic involvement with a different girl, having some sort of dramatic development affecting the relationship, engaging in softcore sex with the girl once the drama is resolved and have events be reset to a point where they lapse into a different development involving another of the girls in the series. This style of storytelling screams laziness with writing to feature different “what if” scenarios of whatever girls Haruka gets to nail.
The storylines and characters of each girl in the show are nothing to get too thrilled over as they are basically rehashed character archetypes or storyline scenarios you likely would see done to death with conventional ecchi/ romance anime/ manga titles or other eroge games. Because of the limited episode length of each arc, characters are never given much opportunity for depth or natural growth, which make the seemingly speedy progression of relationships with Haruka and the “girl of the arc” look very unnatural.
Not to mention that the softcore sex scenes involving Haruka and the “girl of the arc”, including a few occasions of masturbation with a couple gals, are likely to turn off or offend anyone not among the title’s intended horny otaku fanbase.
Yosuga no Sora’s most infamous element comes in the form of its final arc involving Haruka getting into an incestuous fling with his sister, Sora. Supposedly portraying itself as a “mature incest love story”, the arc is no different from past anime titles that don’t seriously explore the taboo as honestly and tastefully as Koi Kaze. Yosuga no Sora combines the typical flaws you would find with the portrayal of incest relationships in anime as Haruka and Sora’s relationship suffers from melodramatic trappings and is a cheap excuse to feature shocking and perverted content throughout its run.