Looks like I have another situation where I found a series to be not as bad as folks were passing it off to be with Iron Man, as much mixed reception I’ve heard of Madhouse-Marvel’s anime work. This is still standard fare, but I don’t find it to be horrifically bad. With that in mind, I’ll be tweaking my review format slightly like I did with my Upotte review to reflect on what worked and not worked with Iron Man. Now onto the review…
Iron Man is the first of four anime titles animated by Madhouse that adapted a popular superhero franchise from Marvel Comics. The series originally aired in Japan for 12 episodes from October 1 to December 17 of 2010. It was licensed by Sony Pictures Home Entertainment, who aired an English dubbed version of the series on G4 starting in July 2011 and was released on DVD in 2012.
Tony Stark arrives in Japan with the purpose of building an Arc Station that will provide clean energy to the populace and claims to have retired as Iron Man as he is working on a mass-produced version of his armor called Iron Man Dios that will serve in efforts to curb any global threats. However, his efforts are sabotaged by a secret terrorist organization called Zodiac, who steal the Dios armor and plot to hijack the Arc Station for their own nefarious purposes. Tony resumes his guise as Iron Man in order to combat the robotic threats of Zodiac and figure out the organization’s motives.
Madhouse clearly put effort into the animation used within Iron Man and it shows with the visual presentation being above average for a TV anime. The scenery of the Tokyo landscape is vast with plenty of detail and vibrant colors shown with buildings and different locales. Character designs appeared to be going for a more Western style with facial designs looking more realistic in their proportions and details compared to more conventional approaches, with a good amount of detail depicted in their designs as well. CG animation was used in the rendering of Iron Man and other robots/ battle armors seen throughout the series which look slick, detailed and fit almost seamlessly with the anime’s regular animation. Battle scenes are well animated with movements looking fluid and intense, taking place on the ground, the air and even an episode occurring in space
With the series seeming to be made in mind for those who seen the 2008 live-action American movie or read the comics, fans will likely pick up on the subtle nods made to events and characters from both sources. And for those who haven’t seen neither source, there is an episode in the anime that focuses on exploring Tony’s origins as Iron Man and what led him to adapt his mentality to use his wealth for the better of humanity.
The main plot to Iron Man is a standard one that has been done enough times in conventional anime titles where the hero (Iron Man) is up against an evil organization seeking world domination (Zodiac). The series adapts an “enemy of the day” style plot for each of its episodes where Tony goes up against a different enemy threat from Zodiac for much of the show. In addition, the motives of the organization and the leader of Zodiac are rather predictable as the series presses on, killing much of the surprise the anime wanted to build up. While these elements are not so bad, they feel no different from the typical premises you can find in more popular anime titles and make the show’s plot feel kind of bland.
The weakest material coming from Iron Man comes in the motives of characters involved with Zodiac. Some of the enemies in the anime’s “enemy of the day” setup are human threats whose motives for joining the organization are poorly written and just an excuse to have them go up against Tony. This is especially a problem with Yinsen’s character as the anime effectively retconned his fate, just to create a weak twist in its plot when his actions and reasoning for involvement in Zodiac are contradictory to the type of character he was in the movie and comics.
While its plot is clichéd and rather forgettable, Iron Man is far from being a dud in my personal opinion. Action anime and Iron Man fans could clamor to the series for its well-animated battle scenes or just be giddy to see Tony Stark made into an anime character. Plus, the anime still has some respectability for its source material in depicting Tony’s character and origins, despite how Yinsen is depicted. However unless you come into this series looking forward to the fights or seeing Tony being Tony, Iron Man isn’t pulling anything groundbreaking with its plot and you will likely be disappointed with what it portrays.
Angel Cop was a six-episode OVA cyberpunk series animated and released by Soeishinsha from September 1, 1989 to May 20, 1994. The series was released on VHS in the 1990s by Manga Entertainment and later released to DVD in 2000. Both formats of the series are now out of print. Alongside Mad Bull 34, Angel Cop is notable for being among a trilogy of horrifically bad Manga Entertainment releases dubbed the “Holy Trinity of Suck”.
In an alternate universe of 1990s Japan, the country is the world’s economic power with a communist terrorist group called the Red May trying to take down and take over the government. In response to this threat, the Japanese government has formed an agency called the Special Security Force, who have the authority to operate outside the law. However, the Special Security Force comes to discover that a second group is also hunting down the terrorists.
Angel Cop attempts to create a cyberpunk anime out of events that took place during the late 1980s and early 1990s for Japan with its focused themes on communism, political corruption and Japan’s bubble economy. Unfortunately, the series never bothers to go into much depth with these major themes for its plot as it is more focused on showing off its gritty mood, graphic violence and mostly unsympathetic cast.
The anime never bothers to go into depth about the motivations concerning the multiple factions of the series and why one should care for their beliefs, instead portraying a sense of jingoism with Japan being the sole superpower in the world that others wish to attack for no particular reason. Angel Cop is quite infamous for its later plot twist being quite anti-Semitic when it is revealed Jews are responsible for influencing the problems plaguing Japan. Fortunately, Manga Entertainment did have the courtesy of altering this plot element in their English dub and subtitles, replacing it with the influence being an American corporation.
Angel Cop does sport a good amount of graphic violence with characters shown to be killed in horrible and gory ways. In one notable instance, you get to see a female terrorist being shot in the head, which explodes in gory fashion to show off brain matter and an eyeball flying out.
The characters in the series don’t help matters in the title’s quality as many of them lack depth and/ or are rather unsympathetic. For instance, our female lead Angel is willing to kill off a terrorist and his child hostage in one scene, placing her mission over the lives of civilians.
The visuals to Angel Cop also have their faults in terms of quality and the way its settings and characters are shown. Some of the character designs (particularly Lucifer and Asura) and settings (a music bar with a glam rock band) were meant to depict popular trends of the 80s, yet were hilariously outdated as Angel Cop was animated into the 90s as these trends died out. Also, the animation quality of the series tended to be quite inconsistent throughout its run, having its well animated spots and awful moments in various scenes.
Like a good number of Manga’s early dubs, Angel Cop is peppered with profane language not found in the original Japanese version of the series and has a laughably bad English dub with flat emotional delivery and some unintentionally funny lines in the dub’s script.
Mouse was a 12-episode adventure/ harem comedy anime aired on Japanese TV from January 5 to March 23 of 2003, with each episode airing for 15 minutes a piece. The anime was animated by Studio Deen and based on the manga series written by Satoru Akahori and illustrated by Hiroshi Itaba for the seinen magazine, Young Animal, from April 28, 2000 to October 29, 2004. A rather interesting fact about Mouse is that the series actually aired on a children’s channel called Kids Station during the time of its broadcast in Japan.
The series is currently licensed in America by Media Blasters under their Anime Works distribution line, with the series still in print by the company.
A young college art teacher named Sorata Muon takes on the secret identity of Mouse, a professional thief whose exploits have been passed down through his family for 400 years. Assisted by his three highly devoted and attractive assistants, Mouse is able to successfully elude capture by authorities and steal whatever valuables he declares he will steal, no matter how secure and protected they are.
The major low point of Mouse comes in the form of the three assistants that assist Sorata with his thefts. Clearly being the selling points of the series, their roles are seemingly only being sluts content to serving Sorata and wishing to have their way with him with their suggestive attires and behavior, as well as the prominent large busts found with Mei and Yayoi. While their sexual advances on Sorata are not frequent in Mouse, the three girls still aren’t too appealing on the eyes thanks to the title’s subpar animation as their details look rather crude and rough
Beyond the assistants, Mouse is focused on a number of storylines throughout its run that involve Sorata’s various thefts, how he met his assistants and crossing paths with an enemy syndicate wishing to kill him and his assistants off for their thievery. While there’s enough substance in the series for some semblance of a plot, all the show’s characters are stuck with whatever character archetype they are tacked on with and don’t do much of anything to grow out of it. The thievery of Mouse and his crew isn’t even too interesting of a plot element to be hooked on as the plans for his thefts are too ridiculous to take seriously, with a couple instances where he literally steals entire buildings.
OniAi (also known as Onii-chan Dakedo Ai sae Areba Kankeinai yo ne!) was a 12-episode ecchi/ harem comedy TV anime series that aired from October 5 to December 21 of last year. It is based on an ongoing light novel series written by Daisuke Suzuki and illustrated by Gekka Uru, which has been published since December 31, 2010. Funimation currently has rights to stream the series online via their streaming site.
After six years of separation, twin siblings Akito and Akiko Himenokoji reunite and live together in the dormitories of Saint Liliana High School. Akiko has developed an incestuous interest in her brother due to their time apart and wishes to act upon those feelings on him. However, she finds this difficult as the siblings share their dormitory with three other girls who each have differing forms of romantic interest in Akito.
OniAi is an ecchi title that milks the typical elements you would find from the genre and harem comedy titles. Our male lead Akito mostly serves as a doormat to the antics that he has to put up with from his unwanted harem, with the girls mostly having stock archetypes for their characters that you would likely see at one point or another from other ecchi or high school themed anime.
While the ecchi behavior in OniAi is not of the gross-out variety, it still can push things quite a bit at points with its content having crass humor, innuendo, suggestive predicaments and fan service shots of the female cast. Outside of the incest element being milked for the title’s ecchi antics with Akiko, things do get a bit uncomfortable in some of OniAi’s later episodes when Alisa’s character becomes part of the household and is milked for some of the title’s ecchi scenes.
Outside of the anime’s failed efforts to milk comedy off the antics of Akito’s unwanted harem, OniAi is mostly a dull affair as there isn’t an ongoing plot to follow and the characters don’t have much in the way of dimension or depth to them beyond whatever archetypes they are following.
I guess I can say Happy Valentine’s Day in light of my “love” for today. I had this planned out for the past month considering I wanted to kill some time since I’ve been in a pit of a rut lately with finding good anime to watch. But does this mean I will return to doing Ani-Crap on a regular basis? I’ll let you folks decide on that. Pepper me on my Wall or with PMs and there’s a chance Ani-Crap may come back from the dead if I get enough support. In the mean time, on with the review.
Mad Bull 34 was a four-episode crime action OVA that was released from December 21, 1990 to August 21, 1992. It was based on a manga series written by Lone Wolf and Cub creator Kazuo Koike and illustrated by Noriyoshi Inoue for the seinen magazine, Weekly Young Jump, from 1986 to 1990. The series was animated by Magic Bus, who outsourced much of the animated work for Mad Bull 34 to be handled by studios in China and Korea.
Mad Bull 34 was released dubbed on VHS in the 1990s by Manga Entertainment, who lost their licensing rights to the series years later. Discotek acquired licensing rights to the series last year and plan to release it on DVD with both the original Japanese audio and Manga Entertainment’s English dub later this month on February 26.
Daizaburo Ban is the newest recruit in the New York Police Force’s toughest precinct, the thirty-fourth. He becomes the partner of John “Sleepy” Estes, a cop with no regard for the rules as he violently dispatches criminals (even for minor crimes) and runs his own prostitution ring. While Daizaburo hates the reckless conduct of his partner, he comes to learn of Sleepy’s good side as the money earned from his prostitution ring is used to benefit a home for victims of rape and battered homes, as well as a clinic curing STDs. The two team up to tackle the crime-infested streets of their precinct.
Mad Bull 34 is rather infamous among anime fans for its graphic content and unflattering depiction of 1980s era New York City.
Criminals killed off throughout the series are all offed in some over-the-top graphic detail as gun shots are shown to blow off limbs and make heads explode. It is also rather misogynist as nearly every woman in the series is either a prostitute or winds up being a victim of rape.
The creators of the OVA also didn’t seem to be well versed in knowing of life in New York City or didn’t seem to care at all. The criminals seen throughout Mad Bull 34 are rather bizarre and over-the-top or strongly stereotypical. Examples of criminals you can expect in the series include a cyborg Mafia boss; two armed robbers decked in Jason masks, tight jean shorts and roller skates; and a gang of Chinese assassins prone to committing kamikaze attacks on their targets.
The show’s efforts to paint Sleepy as some sort of Dirty Harry-esque character are also rather ridiculous. The guy pulls off stuff that Harry Callahan wouldn’t dare to pull in his movies as Sleepy is regularly seen screwing the prostitutes of his ring and commits enough ridiculous acts such as blowing up a gang of Mafia thugs with grenades attached to his pubic hairs and instructing Eddie to comfort a traumatized female victim by literally sticking a finger up her ass. Worst of all, Sleepy never gets any kind of repercussions for his actions as being presented photo evidence of his actions isn’t enough for his seemingly inept superiors to punish him in any way.
Manga’s English dub for Mad Bull 34 is also worth mention for the title’s infamy. Dubbed at the company’s UK branch, the voice actors are quite inconsistent in the delivery of their lines as they go in and out of delivering horrible New Yorker accents and usually get quite deadpan in the speaking of lines. Not to mention that you can expect regular use of graphic language that wasn’t found in the original Japanese version of the series, another instance of Manga trying to make a horrible anime more edgy to Western audiences with regular use of cuss words.