But MangaBlog points us to the Opinion Prone blog, which notes that VIZ attended Editor's Day, a small event at the Savannah College of Art and Design (not exactly down the street from VIZ's San Francisco office). Kiriska notes that VIZ had cancelled, but apparently un-cancelled.
I do have to disagree slightly on one point: Kiriska defends American manga style artists from accusations that they're merely ripping off, and yes, for the most part I agree, especially nowadays. On the other hand, I went through that phase of the fandom where anything with the word “manga” attached was supposed to be gold and a lot of artists who don't normally work in the manga style-- were possibly not even familiar with or interested in the style in some cases --were doing so. THAT, in my opinion, was ripping off.
But we're now at a point where manga has been around in the US long and significantly enough that many of these artists have naturally grown up into the style or worked with it more extensively, so accusations of manga'sploitation have mostly died down.
(Mostly.)
What do you think?
About Viz trying original work though? I don't really know. Maybe it depends on the success of Ultimo, which is written by an American (arguably the most famous American comic book writer ever, but still). I just wouldn't want to see Viz go through what happened with Tokyopop a year ago and slow down their publishing because they took on too much.
Even though I say all that, I want to see more comics made by everyone. I just think that there are industry reasons while it'll always be different.
As for Viz, Searleman seemed nervous about saying too much about their original stuff. Even though they attended Editors' Day, he made a point to mention to every artist whose portfolio he reviewed that Viz wasn't accepting submissions for project ideas yet. I might try and do a formal interview with him after I get out of classes, but the idea kind of makes me nervous. This journalism thing was supposed to be a hobby! XD
@JediAutobot, I think you're right to some extent, though there are a few OEL titles that have done all right despite long gaps between volumes, and really with things the way they are now, there are some over-the-border/translated manga that are on the same kind of delayed release schedule. I wonder if publishers would consider US-style issues and trades for manga, perhaps in slightly longer "issues" though, to account for the BW rather than color style. Would you buy manga-style BW issues at 40-60 pages and then a huge collected trade when the story's done?
Here is my point of view. I don't like to stereotype but I have to say that these stuff are partially true. American manga artist should consider like publishing their mangas or in a self publisher or in a magazine (the best option). I am strongly considering becoming a manga artist but no way am I gonna go directly to VIZ but first I am gonna publish a bunch of one shot mangas in a magazine and then go for a long running, And trust me it will be hard cuz I'm not japanese or a north american. I'm puertorican.
And about the how to draw manga books. I LEARNED WITH NONE OF THOSE THINGS WHATSOEVER!!!! And I am good considering my age (lets say I'm still in middle school) and the time that I took to get where I am (one year) Artist should learn on their own not with guidelines. There is really no rule to drawing.