
Producing the same kind of anthology in the US has proven difficult, probably because it's a relative niche market-- Shojo Beat, Shonen Jump, and Yen Plus are probably more effective as marketing tools than as money-making products themselves.
But could the same concept work for something a bit broader-- like American comics? Tim Seeley, creator of Hack/Slash, chats with Comic Book Resources about the rising prices of comic books and likes the idea of the format, particularly its ability to throw new titles out and then release them in TPB if they “stick.”
But Seeley admits that continuity-driven fans are biased against anthologies as being for side-stories, not the main stories.
Now, I'm totally biased: I'm very, very used to manga's release patterns, both in Japan and the US, so that I think putting American comics in anthologies would be awesome (I'd totally subscribe to, say, a monthly Vertigo anthology with some of their awesomest series and some new “test' series as well).
To counter my bias, I talked to Comic Vine's Gman and a comic fan friend, Japanator's John Martone. Both cited that the costs of such a publication would be too high and comic fans are too used to their traditional floppies (especially, of course, those of the collector's mindset, since a trade is unlikely to go up in value like an individual chapter could). Gman says the same thing as Seeley: it could be a good idea, but too many comic book fans would fight it.
I know a lot of you read American comics as well as manga. Would you consider subscribing to, essentially, a comic book “magazine,” presuming that it came out at the same rate that the floppy chapters would have-- basically just floppies of different series collected together instead of sold separately? Or do you prefer to pay for only the individual series you want?
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There are also very real physical hinderances to JP-style anthologies in the US.. Japan is the equivalent of half of the total US population squeezed into the state of Texas, so distribution doesn't pose the same financial challenge.
In some forms, we have them, such as Amazing Spider-Man Family having both new one-shots and old reprints. However, mainstream won't move in that direction. It's just as you say. Too many fans would be against it. That collector mindset that almost destroyed Marvel and DC in the '90s still persists. Gone are the days when a single issue was a form of disposable entertainment.
I personally hate issues. I collected Spidey comics for four years. I backed and bagged them, kept them in a three-foot-long box. When I got to college, the added cost combined with the closest comic shop sucking and eventually closing, I just got tired of it. Maintaining such a structurally weak format is annoying. As least with a book-like anthology, you can just throw that onto a bookshelf, dust every once in a while and be done with it.
In short, I'm pro anthologies, but it'll never happen.
I don't necessarily want comics to be in anthologies either. I'd just love for the monthly periodical issue format to be disposable entertainment like they should be. Print them on cheaper paper and ink. It's a better and better idea as Marvel ups more of its monthly titles to a $4 cover price. That is an unnecessarily high price, and it'll just rise to $5 in two to three years at least.
It's all the '90s fault. Darn collectors' market.
The other issue is the idea of scanilations. When the issue comes out, someone will scan it and make it available online for people to read for free instead of buying the thing for 10-20 dollars per mag (while in asia it's been around 5 dollars)...
Print will exist, and as more and more stuff goes online, the price will just go up to balance. Sad thing is, some people will keep on buying. It's just going to be more and more of a challenge for companies to figure out what titles would be worth it or not.
I agree with Niko that print will continue to exist. As easy as it is to get my news online or through my phone, it just doesn't beat the feeling of folding my newspaper four times to hold in one hand and read it while riding mass transit.
Many comic buyers would like to continue to have that 'physical connection' with their favorites, whether as collectors or fans. But online comics are a good way to promote new talent and avoid many of the prohibitive costs of print and distribution that keep stories from reaching readers.