
Info
Title: The Big OGenre: Noir Drama/Mecha
Studio: Sunrise
Licensee: Bandai Visual
Years Produced: 1999-2003
Number of Episodes: 26
Available Online: No
SRP: $39.98 (For each 13 episode season)
Online Price: $32.98 (lowest price for in stock found)
Paradigm City is a place with no past. A city without a story, everyone lost their memories roughly 40 years before the series' opening. Roger Smith provides an invaluable service to the people of Paradigm City... he's a negotiator. A former cop turned mediator, he's a skilled man willing to work for almost any case. Though, the adventures are decidedly more like detective stories, as his clients are often obsessed with memories, the world before hand, or lost technologies. At these times, Roger Smith relies on his own mysterious past... The Big O. A monstrously powerful machine, Roger pilots the curious robot to combat the dangerous elements of the world.
Trailers
Discussion
Don't let the trailers fool you, this show is much more than just a stylish mech show. While it has its fair share of robot battling, the city is really the star. With its obsession with memories it divides everyone into people who are...- Slaves to our memories, and need to validate our current existence by gaining them
- Against regaining memories, and attempt to poison any attempt to sabotage the cosmic "reset" everyone received.
- People who want to exploit the technology of the past, despite acknowledging the role it played in disaster.
The major exception is, of course, Roger Smith. The "negotiator," straddling the line of neutrality, he acts only to defend the innocents around him. He is often the cause of incredible collateral damage, and as "the Big O" is a menace to the people. With its strong film noir feeling, and episodic, detective style stories, the series felt like a throwback to the instant classic, Batman: The animated series. Though it, temporally speaking, probably took in many of the Cowboy Bebop fans, as both series aired on Cartoon Network, stared Wendee Lee/ Steve Blum, and featured a similar detached story telling mechanic (at least initially.)
Influences/History:
Trivia time. Anyone who has seen the series will notice a stark (like, day and night) difference between season 1 and season 2. Upset at a shorter than expected season, the team at sunrise ended the highly episodic series on a cliffhanger ended, hoping it would get renewed but decided to end the series on a cliffhanger. This gambit proved successful, but not in the normal ways. The show was a snooze in Japan, but its US debut, two years later, made it huge success. In a partnership with Bandai Visual, Sunrise, and Cartoon Network itself, they got the team back together to work on a second season.Though, the second season didn't see near the same response. The visual quality had a different feel to it, and the story was much more about an overarching plot, than the jazzy stand alones of the previous work. Apparently, Cartoon Network retained an option to force the writer to work on a 26 episode season 3, though they decided to abstain. Poor reception and low DVD sales spelled death for this complex series about memories.
Things you might like:
- A highly composed soundtrack with occasional Jazz and Classical elements thrown in
- Philosophical discussions about how/if memories define character.
- The mostly realistic mech design (though the fights are still seemingly random elements in the story)
- Highly Noir direction/tone.
Images
Recommend this to your friends who enjoyed:
Cowboy BebopErgo Proxy
Batman: The Animated Series
Outlaw Star
Conclusion
Trust me, Big O is flawed. In fact, I would have flatly preferred the series without "The Big O," since the fights tend to be the most random parts, but the work as a whole is noteworthy. The second season took it in a very "different" plot direction, but that's excusable. Plus, if you're the type that enjoys reading critical analysis post-watching, you'll have plenty of meat here. I may not like "how" they decided to end the show, but I respect it. Plus, you have to just love a series with a terrible OP like this...























Thanks MagicalEmi
That Flash Gordan thing was pretty amusing though.
I love the show. The jazzy-noir kind of world it presented was always fascinating. The art was sharp and edgy, almost crisp to a point, and the story was mesmerizing. I can see where people call it "boring," since there is a looooooot of talking. But the Schwarzwald character brings a whole new perspective on the series.
If you're a newcomer to anime and if you want a good place to start, be in a listening mood and watch this show!
I've never actually seen Big O, but i've heard good things about it, and it does seem pretty cool. I should probably check it out at some point.
As for the crap ending of season 2, it was because the studio was asked by the network to leave it open and ambiguous so they could pick up a third season. They never did.
I agree with Kris when I saw it, I didn't like it too much. Don't know why though. :S
I agree with its ways and its principles but we never got along on a viewer/anime relationship.
My opinion? Great pick John.
@John_Martone: My jaw ended on the floor while watching this AMV. I love Queen!
However, it had Steve Blum voicing the main character in the English dub, so that was cool.
@DocHaus:
I agree. The ending was weird, the robot battles were random, but it left a really enjoyable taste in my mouth.
I Loved watching Big O, I still occasionally watch it today. There is so much mystery to the show and it's intriguing. I was captivated after watching the first episode till the last. Even now, I have so many question’s left unanswered. Such as What is Big O?, and Who is Big Ear? and so on... All I can do is petion for season 3 and keep talking. No matter if season 2 is the end I'll always have the show in my heart. " Now and forever. "