I had first heard of Kodocha over five years ago while I was still a
college student and it was a series I wanted to see for quite some time.
Before I comment on my thoughts of the series, I have to admit that it
was quite the challenge for me to find a means of even watching the show
in its entirety the past several years. While a college student
frequently torrenting fansubs, the series was too large to fit on my
computer as I only had a 25 GB hard drive with the series hogging about
20-30 GB for all torrents of the series I could find online at the time.
After graduating, a dial-up connection was my only means of Internet I
could get out in my rural hometown. When I got wireless Internet months
later, I learned torrenting was a no-go from my ISP which shot down my
option to torrent anime and I had to go to enough lengths to find
streaming and direct downloading sites to use as alternatives to watch
anime since I could no longer torrent. Further complicating things in my
hunt for Kodocha was that most sites I came across only had the more
commonly known, latest and popular anime titles; Funimation was
tightening up on its hunt to kill online distribution of their licensed
titles; and Funi chose not to release the second half of Kodocha on DVD
due to low sales. So whatever legal and illegal options I had on me
would not allow me to easily see Miho Obana's shoujo hit series...
...until now.
Thanks
to a site I came across that had the entire series fansubbed that I
could DDL and Netflix (which helped me get through trough some messed up fansubbed
episodes via rental), I was able to finally get through the series I had
long wanted to see for so long. While I did read the manga adaptation
of the series long before I could see the anime, I have to admit that
the anime take on the series was quite different from the more grounded
manga adaptation made by Obana-sensei.
The anime made quite a
number of add-ons to the material from the manga. Other than
Sana being
way more hyperactive than she was in the manga, the girl and other
prominent characters are able to pull off antics you could find in a
Looney Tunes cartoon. The show quite often breaks the fourth wall with
cameo appearances from any J-pop bands responsible for the show's music,
Miho Obana with her occasional appearances and the anime-only narrator
Babbit poking fun of events taking place in the series as the show's
narrator and often interacting with the show's cast. In other words, the
comedy for Kodocha is way more unpredictable and nutty than you would
find in the manga.
But is this a bad thing? I'd say not really as
this does allow the show to stand out more from the formulaic romp of
shoujo romantic melodramas that were popular in the mid-1990s like
Hana Yori Dango.
While Kodocha does have its moments of melodrama, the comedy helps
alleviate things to keep the series from being too depressing or overly
dramatic. The series does do well at fleshing out all its prominent
characters and delving into some touchy subject matter for younger
viewers to know about like child abuse, abandonment, divorce and teen
pregnancy. Besides the more manic comedy, the anime also created some
additional storylines that were effectively blended into the material
taken from the manga, as well as altering elements to the plot taken
from later volumes of the manga. In particular, the anime allows Sana to
meet her birth father and there is an entire America arc to the series
that allowed more light to be shed on Naozumi's past that was never
explored in the manga.
Perhaps the major highlight of the series
for me though had to be the chemistry of Sana and
Hayama. Both these
two are completely different in character from one another with Sana
being lively, optimistic to help others, energetic and dense while
Hayama is reserved, aloof, blunt, observant and smart. While the two
like to get on each others nerves at points, they are quite independent
for their young ages and support one another during any issues they
face. Hayama is quick to fall for Sana once his character softens from
her influence and the complications in their relationship that come
about do create both touching and comical moments with the two.
I
didn't find my watch of the series to be all perfect though. The series
does at points toss around filler and recap episodes in between major
plot arcs of the series which while funny and often quite bizarre
(Hayama moth chase, a game show episode, music prohibition, etc...),
they don't really offer anything new to develop the characters or
advance the plot. Even after going through the entire show, I still
found Hayama's seiyuu to be a bit too reserved with the character as the
voice didn't seem to emote all that well. In addition, the series ends
without providing a proper resolution to Sana and Akito's relationship
thanks in part to the situation getting too dragged out thanks to filler
episodes and a final story arc in the later episodes.
Despite my
nitpicks, Kodocha was a long due and worthwhile anime for me to check
out special thanks to the effective mix of comedy and drama and
chemistry between Sana and Hayama. The additional content added for the
anime allowed more exploration of the characters and a manic
presentation of the everyday life faced by Sana and her loved ones,
along side the fourth wall-breaking Babbit. I'm finally glad to have
watched the anime adaptation of this series.