This season of Hell Girl felt like a step down in quality compared to the quality of
the second season.
Mitsuganae retains the elements you would find in the first two seasons
of Hell Girl where a victim browses the Hell Correspondence site to
send their tormentor to hell, thinks over the decision and sends said
tormentor to hell when they reach a breaking point. The elements of
flawed and sympathetic elements found between the victim and tormentor
of each episode are retained from the second season as well. Anyone
expecting a change from the same repetitious developments found in Hell
Girl's past two seasons will be disappointed to know that the series
leaves them intact. This season introduces a new companion for Ai's
group in the form of Yamawaro, whose character gets his focus in a later
episode of the series.
Mitsuganae also creates a more ongoing
story focus between Ai and new character Yuzuki when Ai possesses the
body of the middle school girl to resume her duties as Hell Girl. Yuzuki
finds herself pushed to her breaking point throughout this season as
she gains a role somewhat similar to the Shibatas from season one which
she tries and fails to prevent anyone from making use of the services of
Hell Correspondence, as well as developing a supernatural connection to
Ai. Hints are dropped throughout the season that Yuzuki's life is not
as it seems as Ai exposes her more to the harsh realities of man's most
selfish traits.
It does become apparent at points that Hell Girl
is starting to run out of fresh ideas for this season of the series,
particularly with the role of Yuzuki's character and what we eventually
learn of her past. Compared to the past two seasons, the tragic dilemma
with Yuzuki connecting her to Ai is poorly contrived and skewers into
melodramatic territory compared to the Shibatas from
season one
and Takuma from season two. In addition, a number of the punishments
that Ai and her companions inflict upon tormentors before sending them
to hell were a bit on the silly and ridiculous side, not consistent with
the horrific images they left said tormentors from earlier seasons. It
is these major reasons that make me rate Hell Girl's third season at a
lower rating compared to the last season.
Hell Girl Mitsuganae
retains the colorful and detailed visuals found throughout the past two
seasons with animated highlights shown through a number of the
punishments Ai's companions are involved with and a new one in the form
of Yuzuki's transformation into Ai while she is possessed. Much like the
past two seasons, there are reused animation frames apparent during
these scenes as a result of said repetitious developments. Some of the
show's musical tracks from the prior two seasons are retained for this
season, though the OP and ED musical choices do well at complementing
the tense and mellow moods respectively found throughout the series.
While
Hell Girl Mitsuganae does introduce a couple new characters connected
to Ai, this season of the series doesn't really offer up much new from
what the prior two seasons provided to me and carries some significant
flaws compared to the second season. Still if you have pressed on with
Hell Girl for this long and are still interested in continuing the
franchise, this season is a decent look provided that you understand
that it still offers up much of the same thing from the prior two
seasons.