Almost Otaku: When has the Palette Colored Your Anime?

Topic started by No_name_here on Sept. 30, 2010. Last post by Superevil225 3 years, 9 months ago.
Post by No_name_here (854 posts) See mini bio Level 11
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Constantryan: When watching an anime do you feel the colour palette helps create atmosphere. For example as you've been watching Cowboy Bebop, I think that it's desaturated (is that the right word?) look helps convey it's Old West feel, even though it's set in space.

I definitely do think the palette’s important to creating atmosphere and it’s something that’s often overlooked. Interestingly, Cracked had an article addressing something similar to this (although I disagree about the negative assessment they give.) GURREN LAGANN has a very lively, saturated palette that stands in marked contrast to the more muted, subdued palette DEATH NOTE used - - and that really isn’t rocket science. The former’s an encouraging 10,000 watt dose of fun and sun while the other’s a thicker-than-soup serving of gloom and doom.

 ...and contrast.
 ...and contrast.

However, I wonder sometimes if the mood of a show’s specific palette is sometimes just a reflection of the time it was made. In the case of COWBOY BEBOP, for instance, the blown-out, washed-out palette reminds me of life in urban Asia. If I close my eyes when I think about it, I can almost feel the buzz of the kind of halogen lights. I have similar synesthetic associations when watching CASTLE OF CAGLIOSTRO and GALAXY EXPRESS 999, though. Both shows' flat color choices evoke a specific mood from me. However, I’m not sure if that’s just a by-product of the coloring technology they had at the time. Maybe they were just trying to go for 1:1 “normal” color scheme, without any agenda, and I’m just having these associations on account of where I was when I first watched them.

Maybe these same technology advances I mention have also allow animators to make more deliberate decisions when it comes to their color choices. Maybe that's it. Hell, JIN-ROH had a nigh-omnipresent bleached-out overcast look that covered every single with a sense of dread. I’d be curious if the previous entries in that anime’s universe had the same kind of flexibility.

I’m sure you Anime Vice lunatics have got a greater context than I do. Can you think of cases where the color scheme enhanced or diminished your viewing experience with a specific anime? Or is that all ephemeral?   

 Tom Pinchuk’s the writer of    HYBRID BASTARDS!  &  UNIMAGINABLE .  Order them on Amazon   here    &       here .

Post by metalsnakezero (665 posts) See mini bio Level 16
Most animes that are pretty light hearted shows are full of bright colors to give off a friend feeling ( K-on!, Aria) and some have abstracted colors to really set the mood in ( Bakemonogatari). There been series where the color palette didn't fit with the scene or the mood but I can't remember any as of now.

Post by FoxxFireArt (2,638 posts) See mini bio Level 25
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I never rally make judgments to what color pallet an artist decides to use for a particular series. It's just another step in the creative process and is just part of an art style. All the visuals you see are part of setting the atmosphere. Even music direction helps to set mood.
 
Try watching a horror movie with the music on mute. It's a whole new experience and things just aren't the same. Another good example is the movie Jaws. Even when you didn't see the shark, the music set a mood to build drama.
Post by tonis (1 posts) See mini bio Level 3
colors hit us pretty much at a subliminal level and affect our sense and perception in all sorts of ways. It used to be easy with just black and white because mentally you focused more on the visuals of what you we're watching. As color gets included it adds a whole new layer of psychological influence to how you feel about a scene. 
It's definitely prominent in animation, and most of all in anime. Those few kids out there having seizures every now and then aren't just from the flashing lights alone.
Post by Count_Zero (344 posts) See mini bio Level 20
As a heads-up, most of the prior installments in the Jin-Roh universe, at least in terms of on video (as opposed to novels or manga) were live-action. I don't think they were released in the US though.
Post by Lurkero (398 posts) See mini bio Level 7
Colors definitely help create an atmosphere. There is little similarity between Death Note and say...Pokemon. Saturated colors are usually reserved for lighthearted anime and dark colors for shows more serious in tone.
 
One of the things I found interesting about Gurren Lagann is that the before the commercial screens (is there a name for that?) seemed darker in tone than the actual show. Later in the show however, the colors started to change to reflect the more dire situation the world was in vs the antispirals. It was rather impressive.
Post by Gaff (213 posts) See mini bio Level 11
@lurkero: The Eyecatch?  

  An  eyecatch   ( アイキャッチ aikyatchi )  is a scene or illustration used to begin and end a commercial break in a  Japanese   TV program , especially in  anime  and  tokusatsu  shows, similar to how " bumpers " into/out of commercial breaks are used in the  United States . The term is used, in Japan, to refer to all kinds of bumpers.

http://en.wikipedia.org/wiki/Eyecatch
Post by sotyfan16 (1,340 posts) See mini bio Level 20

I look at story first, then I look to animation. Animation is big deal for me though some viewers would probably say there are a number of anime with horrible stories and great animation that I did/didn't find interest in and vice versa. 

Here's another question for you Tom..Harems: just fanservice or worthwhile?

Post by No_name_here (854 posts) See mini bio Level 11
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@metalsnakezero: The pure period's got some glow on her, too.
Post by No_name_here (854 posts) See mini bio Level 11
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@sotyfan16: What do you mean by harems? Like a lead having a lot of "suitors" like in Eva?
Post by No_name_here (854 posts) See mini bio Level 11
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@Count_Zero: Huh... no shit. I figured it'd be the opposite.
Post by No_name_here (854 posts) See mini bio Level 11
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@lurkero: Yeah, I noticed that the lines in those bumpers were a lot more raw than those in the show.
Post by sotyfan16 (1,340 posts) See mini bio Level 20
@Tom_Pinchuk:
Oh hell no! That's not even close. You can look at anime related to harems here.
Post by Addfwyn (408 posts) See mini bio Level 16
For anime, it really does help with atmosphere, but it takes second seat to story.  Maybe that's my personal bias as a manga-reader, where artwork is superior but black/white, so I pay less attention to the colours and more attention to story and artwork. 
 
The problem later is that if I do end up seeing the anime, the colours aren't ANYTHING like what I originally imagined.
Post by Xeiphyer (4 posts) See mini bio Level 5
Considering colour plays a large roll in setting tone/mood in movies, I think it is definitely the case in Anime since the difference between them is realistically pretty small.
Post by MiniPato (9 posts) See mini bio Level 7
@Tom_Pinchuk said:

" @Count_Zero: Huh... no shit. I figured it'd be the opposite. "

Yeah the first live action movie Red Spectacles starts in color, then it goes sepia tone after that and then ends in color. I suppose it's to give that same oppressive sense of dread as in Jin Roh. Second movie Stray Dog doesn't really have that stylistic approach. The movies themselves are...well not so good. Oshii movies tend to have a lot of lingering scenes that are way too long (See: Ghost in the Shell, Sky Crawlers). Especially his early movies like Red Spectacles and Stray Dog since he had more free reign and could be as self indulgent as he wants. Hell in Stray Dog there's a whole 10 minute sequence where nothing happens and you're just going down streets and alleys following a girl. Stray Dog is just boring and self indulgent.
 
But I'd say Red Spectacles is worth a watch just for its damn weirdness. It's more of an avant garde film. If you watched Jin Roh and really liked it, than Red Spectacles is something completely different. You wouldn't believe the two movies are even related (aside from the fact that Jin Roh was set in an alternate post WWII era via directorial choice.)
 
All these movies are part of the Kerberos Panzer Cop saga. I haven't read the manga or novels, but would like to.
Post by Count_Zero (344 posts) See mini bio Level 20
@minipato said:
"All these movies are part of the Kerberos Panzer Cop saga. I haven't read the manga or novels, but would like to. "
I remember seeing a copy of one of the volumes of the Panzer Cop manga at my library bookstore for sale in Japanese. I didn't pick it up, as I don't know how to read Japanese, but I'm starting to wonder if maybe I should have picked it up after all.
Post by agila61 (87 posts) See mini bio Level 4
Letter Bee is a show that used light to tell you literally whether you are in the boonies, the burbs, or the big city: the light source is perched above the capital city and out in the sticks there is very little light.
Post by Om1kron (141 posts) See mini bio Level 7
holy shit Jin-Roh the MANGA version of little red riding hood, what a crazy ass anime that was to watch... Old as dirt too! I think I still own that DVD somewhere.  
 
(side note, when I say "the manga version" I am refering to the publishing studio who released the anime. I'm not calling an anime a manga. I know some folks are anal about that.) 
Post by LP (9 posts) See mini bio Level 5
I always notice things like that and I tend to lean on the side of less bright but not muted.
 
Think Evangelion for example.
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