Akira Toriyama News

is an anime/manga person
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The man who brought us Son Goku has a new story about an alien here to defend the planet.

Jaco the Galactic Patrolman
Jaco the Galactic Patrolman

Akira Toriyama is considered a legend among manga creators. He's the man who brought us Son Goku, Vegeta, and Piccolo. It was his DRAGON BALL series that inspired many of the biggest manga writers and artists of the modern era. If it hadn't been for him, we'd likely have never had characters such as Naruto Uzumaki or Monkey D. Luffy. Toriyama has been mainly out of the game since DRAGON BALL closed back in 1995. He's occasionally published some one-shots, but nothing coming near a regular serialized story. That seems that it may be about to change this July.

In the same week that Shueisha's WEEKLY SHONEN JUMP magazine celebrates 45 years in publication, WSJ will be publishing Toriyama's latest series, JACO THE GALACTIC PATROLMAN (銀河パトロール ジャコ, Ginga Patorōru Jako). The only plot details we know so far is that the story revolves around a powerful alien police officer that is stranded on Earth.

It's unknown just how long this series will be lasting. Not ever manga series is a 50+ volume epic. Some can be remarkably shorter. I've done some reaching out to some people "in the know", and the only thing they've been able to tell me is that this is not a one-shot.

Chapter one of JACO THE GALACTIC PATROLMAN will be publishing in WSJ on July 15, 2013. What's really exciting is that this will also be published in the official digital edition that's released to the U.S. audience, which is on same day release with Japan. Adding to all the fun is the news that this week Japan's WSJ also expanded its same day digital publication to the UK, Ireland, Australia, New Zealand, and South Africa. Much of the world is going to get to enjoy this latest manga series about an alien defending the planet.

If you want to join in on this new adventure, be sure to look into downloading the WEEKLY SHONEN JUMP App for your iOS or other devices.I'm reading on the VIZ Media app for my Kindle Fire. The U.S. has a year's subscription to the weekly series for $25.99, and a monthly subscription for all the other regions (UK £1.99 / IRL 2,69€ / AU $2.99 AUD / NZ $4.19 NZD). Single issue sales are also available.

-Kristoffer Remmell ( FoxxFireArt) is a freelance graphic artist, writer, and over all mystery geek.- Follow for news updates: @ FoxxFireArt

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Typical Shoujo style
Typical Shoujo style

The inspiration behind this question came when I learned that Hiro Mashima (Fairy Tail), Eiichiro Oda (One Piece), Tite Kubo (Bleach), Masashi Kishimoto (Naruto), Hidaeki Sorachi (Gintama), and most shonen artists who commented that they were inspired by Akira Toriyama's Dragon Ball work in their interviews or artist comments. Plus, the concepts and cliches are recycled throughout Shonen series and many of these works reference Dragon Ball in some form.

I was wondering what was the most inspirational Shoujo series that most Shoujo artists look up to.

I guess Sailor Moon or Cardcaptor Sakura, but I didn't think so since not much anime or manga series imitated or made references to the shows. I might have to check some of the mangaka for their inspirations.

What do you folks think is the most inspirational Shoujo work for shoujo manga artists?

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Bulma Briefs and her "oh, so sweet"... hair 
Bulma Briefs and her "oh, so sweet"... hair 
I was first given the introduction to the lovely seduction that is Japanese entertainment when I was nine years old. It was 2002 and Dragon Ball Z had been airing in an English dub format for a few years at that point. I went over to a friend's house for the first time and he was watching it. Needless to say, I was immediately hooked. It must've had something to do with the charming simplicity of the plot combined with the over-the-top humour and awesome action set-pieces because whenever that show was on, my eyes were glued to the irradiated screen and my mind shut off any implications of there being a world outside of what was going on in that tube. Along with the sugar high of watching Super Saiyan Goku take out Frieza with his famed Kamehameha, this anime series also marked the first time I ever had a crush on a fictional character; Bulma (of course). Her crazy-big Toriyama eyes, her bright blue hair and, of course, her breasts were another reason I would tune in week after week. Sadly though, April 7th of 2003 marked not only the day they finished the English dub for Dragon Ball Z, it was also the day that I stopped partaking in any form of Japanese media for a whole two years. It was 2005, when I was twelve years old, that my old flame for Akira Toriyama's spiky-haired aliens was rekindled as well as when I was introduced to a new kind of flame...
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My first experience with anime came several years before I even knew anime was a thing, a wholly different style of animation hailing from its own country with a unique cultural identity at its core. The show was, by chance, Dragon Ball Z, airing on some random block of late morning cartoon programming picked up by the rusty over-the-air antenna at my family’s lake house. This was before Dragon Ball Z had made its mark on Cartoon Network and become the blockbuster leading man of Toonami’s anime lineup–in fact, I suspect it was before Funimation had begun dubbing the show on its own.

I couldn’t have watched more than 10 minutes of the show. I didn’t know what was going on or who the characters were, but somehow it made a lasting impression–more than a decade later I can still remember that the episode took place on Namek, placing it somewhere in the Freeza saga. But that knowledge springs wholly from an image I have in my mind: I didn’t know what the hell a Namek was then, and certainly didn’t retain an ounce of exposition at 8 or 10 years old. I just remember the trees, the rocks, the sky: that blue-green color pallet that distinguishes Namek from Earth. And I’ve realized, lately, how absolutely incredible that is.

A couple months ago I began watching the anime adaptation of Dragon Ball. I’d watched plenty of it on Cartoon Network as a teenager, but was looking for something relaxing and entertaining with a Japanese flavor that would last me awhile. I needed some shonen, basically, and got it into my head to revisit Dragon Ball. Unlike Dragon Ball Z, I remembered it being a light-hearted adventure with no episode-long incidents of beefy dudes powering up. I’ve long seen Dragon Ball Z as cheesy, overwrought, poorly paced and generally a shining beacon of the worst form of cliche Japanese storytelling.

But what I’ve come to appreciate is how incredibly iconic, warm-hearted and influential Akira Toriyama’s creation truly is. Dragon Ball Kai, a condensed re-telling that closely follows the pace of Toriyama’s manga, cuts out most of the junk that made DBZ awful. It’s the original Dragon Ball, though, that highlights the magic of Toriyama’s art and storytelling. In Dragon Ball he crafted a world that mirrors the wide-eyed innocence of his protagonist, a version of Earth bursting with wonder. At times it reflects the rustic nature of rural Japan, but with dinosaurs and anthropomorphic animals commonplace. At times it veers off into wild science fiction with the inventive capsule technology and charmingly goofy vehicle designs. Most of all, it fosters a peerless sense of adventure; that the world is vast and never-ending, with a new pastiche of cultures waiting just beyond the next mountain range. On Dragon Ball’s Earth, everything imaginary is real and anything is possible.

Perhaps we’re not meant to think of Dragon Ball as if it’s envisioned through Goku’s innocent eyes–that kind of storytelling concept may have been beyond Toriyama’s intentions when he began a quirky adaptation of the Chinese fable Journey to the West. Panty jokes are everywhere, the villain is a jester, and all Bulma wants from the wish-granting Dragon Balls is a boyfriend. But Toriyama’s relentless creativity turned his young adventurer and the world he explores into two sides of the same coin. Goku resonates because of his innocence, his kind-hearted hope and determination and skill. But the world resonates as much for its art style as it does the wide swath of cultures and imaginary creations it invokes. Can any cartoonist of the past 30 years claim to have influenced an entire genre–an entire industry and generation of artists and readers–in the way Toriyama has? Some, perhaps. But few.

The theme of adventure so strongly reflected in the early fantasy-heavy portion of Dragon Ball takes seemingly clashing ideas and makes them work together effortlessly. The quest for the Dragon Balls spans the globe, so naturally the characters have to get around quickly. Bulma showcases the advanced science of Toriyama’s fiction, materializing high-speed jet planes or motorcycles out of capsules with a characteristic “Bomb!” But even with these devices commonplace, the world is vast and untamed, full of regions unreached by technology or outside influence. We’d expect science to have mapped out the whole of Earth, yet fantastic new locales constantly wow Dragon Ball’s characters.

Goku is the perfect mechanism for this sort of exploration, of course–he knows nothing of the world, so every new locale is filtered through Goku’s innocent acceptance. By the time the other characters express their incredulity, we’re already indoctrinated. Why wouldn’t he fly around on a magic cloud? No damn reason at all!

Penguin Village may be the best example of this–by charging headlong into a high-speed pursuit, Goku finds himself in Penguin Village, which takes the anthropomorphism to an extreme (even the sun has a face in Penguin village) and introduces a baby who can repair anything with telekinesis and a random girl who effortlessly beats up an opponent even Goku struggles to defeat. The characters and environment here are a touch more exaggerated and cartoony than usual. Similarly, the land of Korin has its own identity with the Native American touchstone of the totem pole greatly fantasized into Korin’s tower. Toriyama deftly wields this skill time and time again, creating character expressions and landscapes so iconic that we can recognize them years or decades later. Toriyama didn’t invent the large eyes that have defined anime for decades, but he did help solidify them as an indelible style–you’re not likely to mistake Toriyama eyes, hair or eyebrows for the work of any other artist.

His art style holds more power in the fantasy adventures of Dragon Ball than it does in the more serious sci-fi heavy DBZ, but the power of his influence endures. For me, it was the trees of Namek. For Japanese pop culture, it was the blonde fury of the Super Saiyans and the themes of hope and redemption that rippled through the minds of prospective young artists and manifested in Dragon Ball Z heirs like Yu Yu Hakusho. Perhaps the animation industry would be better off without an endless string of anime and manga working from the Dragon Ball formula. Toriyama changed a generation of art, and it’s only fitting that his early work–the work that doesn’t get Dragon Ball Z’s level of attention–captures one of the most enchanting and cohesive worlds ever put to paper or cel.

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The Lost and the Generic Part 3:

There is a word; you need to know.  It is a simple word. It is Japanese for Animation.

No, it is not called Anime.

In this part of the series “The Lost and The Generic, the answer will be known.

First, something that I have to get off my chest.

I do not read manga like the rest of you on this site and in the community at large.

I just don’t.

I read two manga on an exclusive basis.

That would be anything drawn and or written by Osamu Tezuka. ANYTHING. It does not matter how long or alternatively, short it is.

The other is Berserk, done by Dr. Kentaro Miura.

That’s it. You can’t force me to read shojo or shohen etc. It just will not work.

There is a reason I say this.

I am an animation fan first.

I am a comic book fan first.

I grew up with both of these works. I understand there concepts and their ideals. I understand there joy and their sorrow.

I got into manga because of Tezuka. His legend is greatly known. Miura is the only man ever even CLOSE to Tezuka. Oda is nowhere close; Kishimoto is not there and may never get there, and Kubo will always be in Miura’s shadow. There is a reason why Dragon Ball and Dragon Ball Z got popular and why Toriyama is respected even though I may never read another work from him.

The reason is being that many manga is translated into anime and I don’t really have the time nor the cash to go through 20 volumes of work.

In addition, even if I wanted to – they all fall into the same trap and Anime has entered that trap.

It is the same trap that other parts of art world, are going through.

It is censorship, with artistic diversion. These two aspects are killing the genre.

If you have read my other works from the “Lost and Generic” series, you would know that I stated many American parents (and those that do not have kids, but the majority of them do) are again – overworked, underpaid (it seems more like that these days), as well as overstretched. The culture of the American family ideology (I say it this way because it has become one and it is not about raising children right at least not anymore) felt they have lost economic and cultural influence and power over the last 30 -35 years. There is a hidden, psychological racial element (some of it warranted) plus gender issues (shown at the Oscars quite blatantly).

But this is about anime and manga, what that got to do with anything that that is happening in this world?

You already are seeing it in Canada, Australia, Indonesia and the United Kingdom. Now it is spreading to this country.  The new word of the day coming down is “Fascistic Genericism” or better called Neo-Prussian Socialism. (If you do not know what Prussia was, go look at Wiki or better yet Britannica (on your college or school database) and read up, and start to weep).

Every time there has been an economic or conflict situation in the western world, Art is the first victim. Now, in this decade unlike any other decade, Art is being used to promote “punishment” of “weird acts”, “subversive works” and to scare other into submission – to jail and maybe to be killed even if the person have never hurt or would even hurt anyone.  Don’t be fooled however, I am a conservative and I believe in the rule of law. Nevertheless, let make one thing clear. I mean REALLY Crystal Clear.

If someone HURTS a child in any way in that sexual manner so evil – it does not matter if it is a parent or somebody the child knows or a stranger and that is proven BEYOND a reasonable doubt – that person MUST die. Period, end of STORY. I can understand age of consent; I can understand the five-year rule. I even understand in Principle having those dark images can and should send a person to jail. Nevertheless, as SO LONG and I mean AS SO LONG as the drawings or animations are NOT REAL or do not depict a child doing those dark acts (and by their definition cannot be), that person cannot go to jail and should not be in jail. He or she is a political prisoner to fill the coffers of the Judges so they can be shown to be tough on crime, and the politicians who continue to throw not only just America over board but the rest of the world into their own abyss.

However, the Governments all over are using the genre as a political toy, calling it the “scary work” with the “scary people”. Hollywood, sensing it cannot control and win over the fanbase, is trying the split the fanbase into two with their “Live Action –Anime.” They want the money. They do not care how they get it. The day they saw a man named Al Kahn make money hand over fist with Pokemon was the day they set out to destroy him, his company (using the leaders of Arlong to get along Park with Crunchyrool and the Subbing Pirates) and if they could not succeed using anime to take over the rest of the animation industry (remember, the Huluwood Executives hate them UNION’s!) they now were going to discredit you and you fans FELL for it ass first!

80% of Best Buy’s anime selection will be gone by the Middle of Lent (March 21) with only the top selling anime left, and when it’s just Dragon Ball Z, Naruto and any works from the Sci-Fi Channel’s airings, along with Pokemon/Bakugan, that whole genre will suffer the same fate action animation and then TV animation has suffered over the last five years.

Now everybody wants it fast and cheap. It was not like this. I highlighted a book called Manga Zombie – and the Gekgia movement. That movement made its way to the manga we all read. However, even Japan has gone away from it. Even they GOT scared of what it told.

Novelle Manga, Neo-Shojo and Next Gen Shohen (which a majority of manga has become) are not working. Outside of Claymore – Shohen lost the boyhood dream. Outside of Berserk, Senin; should have been the hardest of the hardcore (without being porn) and the protector of the Gekgia movement has become a perverted Shojo. Neo-Shojo became too screwed up to be readable at the same while the Old lady of Manga who pretty much ended the Gekiga movement, only had one good manga in her whole career while Josei is excessively conservative to the point of boredom.

How can Novelle Manga is the hope of a stagnating Industry over there? It is putting even more French influence (not that I hate the French way of doing art) on work that was already influenced by Bandee Dessanee, and not to mention it still sucks and the only time it worked in a Japanese context was in the Metal Gear Solid retellings of One and Two.

You fans are being RAILROADED into a corner. On one side, you’re so called HOPES for a better manga and anime future are leading into a ghetto which the Governments of the world will label you, stamp you and take some into the jails and hellholes of the Jail system.

All of this, to protect the kids.

From what?

Parents already KNOW their job. Moreover, if they do know and run to a political entity in order to HELP their kids(Not nessaraily the government that’s a bit different but even that is loaded), they do not deserve to be parents in my honest opinion.

Cant them, for the first time in the history of their life’s work WITH the kid not as a friend of all these liberal causes, smoking weed at the park or what not, nor as a heavy duty, military style – Fake as all get out Christian Fundamentalist…

But as a boy or as a girl child living in a country that gives them the freedom with responsibility to make choices for themselves!

It is this very simple, wise and holistic approach to life NOBODY will teach or even tell you.

We do not nerssarlly need censorship when people are allowed to be responsible for their actions. It is because of MORE Government meddling we are in this mess. ONLY in a police state (which the U.K. is fast becoming) you would have a 13-year-old boy having a child. NO MANGA told this kid to go and have intercourse with that 15-year-old girl. Not even the U.K. media plotted this. Nevertheless, they will use it as a CRUX to promote more Generisism.

Only in state still recovering from dictatorship – they would use anime as crux for censorship (granted, it’s almost a Muslim state but that’s for another day)

Only in a state where they still do not know if Quebec should be free or not and as of several months back, do not protect the rights of Christians (or Muslims unless politically pushed) that they would use a Unjust and inherently stupid law to send a man too weird even for yuppies to take, as a “political prisoner” (if he did have real dark pictures however, then he deserves to go to jail).

And now, here in this country in a similar case. They will make an example of those that they feel not fit for the America they so wish to protect.

And for the most of you, the profile is fitting like a glove.

The Gekgia movement was the basis of most great anime works. You cannot separate it from that genesis. When they do that – you get bad work, you get moe and harem. You get all these generic anime. You get the lackadaisical feelings and the cheapness of this particular fanbase. You get 4Chan and CrunchyRoll and Arlong to Get Along park. You do not have leaders that wish to work with the rest of the animation community but what you do have are those who will lead to your ruin.

Anime should not be used as the catch all phrase for Japanese animation. We should call it as it should have been called LONG before us in the west (with the rare exception of many in the Black Community) tried to name this particular part of animation as a racial modifier.

It is the word, Doga. Moreover, that word should be used for any animation from Japan that is not dubbed or subbed using Japanese honorifics. You can only call it anime and should call it anime – when it’s dubbed or subbed in English with no Japanese honorifics. This is because of how popular it was in France and Italy and how many French/Canadian/Japanese productions there were in the 1970’s. If those folks want it as Japanese as possible then that “pirate” or Crunchyfail must call it Doga. It cannot be called Anime. It does not even make sense to call it Anime.

As for that Genre and well as Manga – It needs a wakeup call. The world right now is heading for something far, far more impressive than it ever was in the 1960’s. But in that era Gekgia filled that need in Japan in the 1960’s and 70’s. Metal Hurlant and its American Counterpart; Heavy Metal filled that need in the late 70’s and early 80’s. The UK has AD 2000 and it still going strong. (One wonders however, about its future with that UK law barreling down the pipe at break neck speed. The Italians have their own countercultural art world. Now in this era even in Japan, the artists (even the BIG 3) are being drowned out. The original idea for Naruto, as modern day Berserk? SCRAPED. One Piece? Overrated. Bleach? Tries too hard to beat even Claymore.

Do you know what is going on in the world?

The 2008 civil unrest in Greece started on 6 December 2008, when Alexandros Grigoropoulos (Greek: Αλέξανδρος Γρηγορόπουλος), a 15-year-old student, was fatally shot by Epaminondas Korkoneas, a policeman. The shooting occurred after an altercation between a police patrol and a small group of youths in the Exarcheia district of central Athens.[1]

The death of Grigoropoulos resulted in large demonstrations, which escalated to widespread rioting, with hundreds of rioters damaging property and engaging riot police with Molotov cocktails, stones and other objects. Demonstrations and rioting soon spread to several other cities, including Thessaloniki, the country's second-largest city. Outside Greece, solidarity demonstrations, riots and, in some cases, clashes with local police also took place in a number of European cities including Istanbul, London, Paris, Rome, Dublin, Berlin, Frankfurt, Madrid, Barcelona, Amsterdam, The Hague, Copenhagen, Bordeaux, Seville as well as Nicosia, the capital of Cyprus, and the western Cypriot city of Paphos.

Riots are breaking out in factories in Dongguan as bankruptcies and layoffs throw thousands out of work with wages owing. South China, "the world's factory," is in chaos, faltering. After the mid-autumn festival, enormous numbers of workers simply stayed home in the provinces, rather than returning to work in Shenzhen, Guangzhou, and Dongguan.

This AP story talks about a riot in the factory where Nerf toys were manufactured for Hasbro -- and no, they didn't fight with Nerf bats.

 

Tempers began flaring Tuesday when the plant's Hong Kong owner, Kader Holdings Company Ltd., prepared to lay off 216 migrant workers at the factory that employs 6,500. About 80 senior workers claimed they were getting shortchanged on their severance pay, and they mobilized a mob of 500 — mostly other unemployed workers and friends, Guo said.

The workers battled security guards, turned over a police car, smashed the headlights of police motorcycles and forced their way through the factory's front gate, Guo said. They went on a rampage in the plant's offices, damaging 10 computers, the company said.

Riots broke out once again in the Baltic states on Friday, this time in the Lithuanian capital, Vilnius, where a group of 7,000 gathered to protest planned economic austerity measures. A smaller group began throwing eggs and stones through the windows of government buildings until the police moved in, using tear gas and rubber bullets to disperse the crowd.

The episode was nearly identical to one on Tuesday in Latvia, when a peaceful protest of 10,000 people erupted into violence. And on Wednesday, a gathering of 2,000 in Sofia, the Bulgarian capital, began throwing stones and snowballs at the Parliament building, calling for the nation's leaders to resign.

In all three countries, years of steady economic growth have come to a jarring halt, and citizens are facing layoffs and cuts in wages. In each case, the authorities were left wondering whether they were facing organized activism or just the anger of people whose expectations have been disappointed. "I think this is just the beginning," said Anders Aslund, a senior fellow at the Peterson Institute for International Economics in Washington. "We should expect this to happen in many places."

You’re telling me at a time of great changes in Humanity, the best huluwood can do is Miss Cyrus?

There not speaking for us, and the longer Viz Media and all these wannabe major players want to act like them – they are going to lose to these socialistic bastards over at Crunchyroll and Arlong to Get along Park. They are going to be backslapped and made nothing but a toothless tiger by Governments trying to protect from a subversion that in the real sense does not even exist but in the actual sense all of this trying to protect their lobbyists in Foggy Bottom in the animation industry. They do not want to compete because they know that they will lose without good writers and story boarders, and they always feel they have to compete where there is NO REASON that that moment.

Japan will figure itself out. It has a history all its own. I will bet (and I am going to be right on this) whenever this economic issue ends, there will be a brand new appreciation for the work of the Gekgia Movement. They will realize that being generic and obfuscating a man or woman’s work will never get anywhere. They stop being anti-human (read as anti-female or anti-female attributes) and finally be free from the sins of their past.

We here, however are going to have to go to maybe even physical blows – not with ourselves but with a generation, to get any sense back of our humanity, our place in the world and our understanding of our individuality, our sovereignty. If we don’t have or see art or pro sport (read as wrestling or mma) that doesn’t have that spark that we saw in the ECW years, those years of great animation from all over the world and in our country and other such things, we must treat it as it is; trash from a Generation that owns the world and may have destroyed our future. You saw it in the Oscars on Sunday. That Generation only cares for what it has done and does not care for the broken down men or women they have BECOME! In addition, if we do not create work or supports work that makes them see this fact even if it is for the first TIME, we will have failed has men (gay or straight) and women (lesbian, bi or straight) and they will through their unconscious fascism, psychological neo liberal racism and class and universal degrading of our minds via the mediocre work they have produced since the end of the 1988 WGA strike, will break this country into a million pieces and the world will lose hope that America will be a shining city on a hill. And they wouldn’t care.

Because THEY GOT THERES.

But their envious nature will make sure we will be poor, destitute and wishing we were slumdog millionaires, in the streets our forefathers fought and died in as the world cheered for FREEDOM! when we won.

That is the rebellion Gekgia and all anime represents. Take that away and you have nothing but porn.

The Writer of Manga Zombie, Udagawa Takeo stated it best:

The best manga are always the worst manga. And vice versa. Manga should never be 'healthy' or 'educational' or 'good for kids'…

Burn manga. Especially Eighties manga on.

Burn these pre-programmed comics that have been churned out ever since manga turned into a business. Burn these bastard things conceived in boardrooms and born as products.

For example, love stories that go on...and oon... and ooon...and oooon.

Burn them. Stories about heroes beating the odds through sheer grit and friendship. Burn them.

'Interactive' stories swinging any way the reader surveys tell them:

Burn. Them. All.

Come out of the grave, manga!

Screaming and streaming blood and sweat, pages spattered with artist's crazed flesh, manga that grab and throw you deep into the warped and fucked-up pit of the artist's mind itself. And leave you there.

To live it. And manga, staggering on their very last legs, drawn so the artists could eat one more day.

Come back. All is forgiven.

The Translator, John Gallagher followed:

                I'd have to go with Ugagawa-san on this one. Manga should rot the brain.

I add this. Not to rot the brain. However, to save it from being:

Generic and listless.

The final part of The Lost and the Generic will be on Cartoon Electro by Wednesday, the epilogue of that will be back here as episode seven of Virtuous Queen.

To read more about Manga Zombie please go to http://comipress.com/special/manga-zombie and read more about the Gekgia Movement. I will talk more about it in the future.

Until Next Time.

NovidAnon.

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